My practice is a parody of contemporary human ecologies that are increasingly engineered and deterministic. For me it is not about touting the evils of computers or communication networks, but about revealing the aspects of each step of the process by which social spaces are reorganized and ingenuity is assimilated. The language of my work lies purposefully outside of the realm of technology, manifested in decorative, archaic forms.

Even the most ephemeral objects and technologies are made of matter.